Emeritus Professor of Psychology
Social


Research

What socio-psychological factors affect creativity? Creativity is defined "as a process that results in a novel product that is accepted by a significant group of others as useful, tenable or satisfying at some point in time." Empirical research centred on Ph.D. chemists employed in R&D (Research & Development) organizations. Organizations were studied with a newly developed "Stein Technical Audit" based on role theory. Individuals were studied with a variety of new and existing techniques to gather data on life histories, perception, problem solving, attitudes, brain waves, etc. Nomothetic analyses of the data were undertaken as well as a promising approach based on Q factor analysis which yielded an interesting series of typologies. I've published several books on this work.

Currently research is focussed on "intermediaries" in the creative process. They include: spouses, lovers, mistresses, teachers, mentors, critics, curators, peers, grant giving committees, gallery owners, museums, think tanks, etc. To communicate this works orientation succinctly a neologism has been developed. The word is "CONTRICIPATION" which calls attention to the fact that everyone participates in the creative process either as a contributor or as an appreciator. Contributors need appreciators and appreciators need contributors.

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Biography

Born:

June 11, 1921, Bronx, NY.

Education:

PS #4
De Witt Clinton High School
College of the City of NY: 1940 BSS (Psych/Sociol); 1942 MS Ed. (Educ./Psych.)
Psychological Intern (Rotating): 1941-42: Rockland State Hospital, Letchworth Village, NY State Training School for Boys.
Harvard University 1943: Henry Murray's research assistant. MA Psychology; 1949 (Psych)
Diplomate Clinical 1953
Chicago Psychoanalytic 1954, 1958

Honors:

Center for Advanced Study in the Behavioral Sciences, Stanford, CA
Research Career Award. National Institutes of Health 1962-1984
Sigma Chi (NYU) 1990 Best Teacher Award
Lifetime Creative Achievement Award for Research, Creat. Ed. Fdn. 1995

Experience:

World War II--Psycho-Acoustic Laboratory, Harvard 1942-43
OSS (Assessment Program) 1943-45

Teaching:

1947-1948 Wheaton College
1948-60 University of Chicago
1960-1991 New York University (Retired)

Lectured:

Pretty much all over the world.

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Selected Publications

The following books on creativity have been reprinted and are available through:
Winslow Press
770 E. Atlantic Avenue--Suite 201
Delray Beach, Florida 33843
barbara@winslowpress.com

Making the Point--1984--In English, Chinese, French, German, Hebrew, Polish, Portuguese, Romanian, and Spanish

Creativity and the Individual--(with S. Heinze) 1960

Stimulating Creativity Vol 1: Individual Procedures, 1974

Stimulating Creativity Vol 2: Group Procedures, 1975

Gifted Talented and Creative Young People: A Guide to Theory, Teaching and Research.

Creativity's Global correspondents--1998

The following is available from The Mews Press, Box 2052, Amagansett, NY 11930:
The Thematic Apperception Test: An Introductory Manual for its Clinical Use with Adults. First edition, 1948; Second Printing Second Ed. 1983.

Other books out of print:

Assessment of Men (contributor)
Methods in Personality Assessment
Contemporary Psychotherapies
Volunteers for Peace

Books in Progress:

Imaging Personality: The TAT Method in Research, Diagnosis and Psychotherapy; to be published by the American Psychological Association (APA) in 1999.

"Creativity's Global Correspondents--1999" -- to be published by Winsolow Press, Delray Beach. Florida.

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Address

Morris I. Stein
Emeritus Professor of Psychology

4 Washington Square Village, Apt. 11-T
New York, NY 10012
(212)-475-2428 voice & fax
moe@psych.nyu.edu

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Updated